Marz’s 1990s Marvel Universe continues to feel exceedingly comfortable.
All in Marvel Comics
Marz’s 1990s Marvel Universe continues to feel exceedingly comfortable.
Wells has really switched the direction of the series into action/comedy mode.
The whole thing feels remarkably engaging.
Grønbekk cleverly works with a large cast.
Marz is taking traditional notions of cosmic-level action and jostling them.
Another very strong and emotionally engaging story.
Jennings mixes interpersonal drama and cosmic-level superhero action.
Kim works with standard sci-fi tropes.
Rowell falls into uncomfortable romantic comedy territory.
Brisson is bringing across a very vivid and arduous journey.
Percy has the basic elements of horror action done remarkably well
Wong crafts a pleasantly surreal encounter.
The writing team focuses on the street-level aspects of the supernatural.
Ziglar manages to make it look like a crazy last-ditch effort to save New York.
Onyebuchi is carving a very balanced path through the mind of Sam Wilson.
Land and Leisten make it all look pretty solid.
Wells finds something new for Doc Ock.
Not enough is actually happening on the page.
Wong has the kernel of a good story.
It's just really fun to see something like this attempted.