Ewing and Aaron give the cosmic end of the Marvel Universe a strikingly emotional core.
All in Marvel Comics
Ewing and Aaron give the cosmic end of the Marvel Universe a strikingly emotional core.
Writer Seanan McGuire weaves a very cleverly crafted, little web-slinger story.
The graceful integration between art and story expands to fill a full issue quite well.
It’s appealing to see MJ’s relentlessness in completing the project.
MacKay’s fusion between humor and action continues to make this series one of Marvel’s most satisfying.
Since her first appearance in Captain Marvel #8, Star became a sensation; readers wanted to know who she was, what her intentions were, and how she would get along with Captain Marvel. And as the Falling Star arc continued, everyone wanted to know, what was to become of Ripley Ryan, aka Star? Fortunately, Star is headlining her own five-issue mini-series…
Kamala’s life has been quickly unraveling, and if she can’t figure something out soon, it may be the end of life as she knows it…
Psylocke puts together a team as Apoth strikes.
The New Mutants get caught between two warring factions of Shi’Ar.
Domino to the rescue!
Houser would have needed a series twice the length she had to work with here to bring across the full depth of what she was attempting.
The X-Men go to an economic summit.
Hawkeye: Freefall #1 is a strong first issue, showing promise for a compelling superhero arc.
Miles Morales: Spider-Man #14 is a mushy mess.
With great responsibility comes great exhaustion.
Wells finds some clever bits of comedy in the funny animal analog of the Marvel Universe.
Despite starting as an “event,” the 2099 storyline ends as a small origin story.
The Spider-Man of the future returns in a new origin story.
The Lethal Protector returns for the new age of heroes.
The close of a legendary character piece that will never be forgotten.