Miles Morales: Spider-Man #13 is a case of wasted potential.
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Miles Morales: Spider-Man #13 is a case of wasted potential.
The last issue left fans with numerous questions, wondering what had happened to earth’s mightiest hero; had Captain Marvel finally gone rogue? In Captain Marvel #13, writer Kelly Thompson begins to reveal the shocking true story of what’s going on…
A young hero leads a group of mid-list superheroes on a mission to save Death.
Dives into the overall emotional state of a young architect who just happens to be a superhero.
Ghost Rider #3 is a joyless slog with inconsistent art.
Armor and Glob decide to look for all the mutants that haven’t come to Krakoa.
Psylocke, X-23, and Cable get closer to Apoth.
Mutants and humans alike get a deadly new enemy!
The departure from a narrow focus on Felicia compromises the charm of the series.
This issue shows some promise as the series begins to reach its end.
In The Magnificent Ms. Marvel #10 — written by Saladin Ahmed with art by Minkyu Jung, inks by Juan Vlasco, colors by Ian Herring, and letters by VC's Joe Caramagna — Kamala's hectic life spirals more out of control despite her best attempts to stay on top of everything.
Ewing and Aaron manage to find a really novel new way to defeat an old villain.
Writer Mark Waid wraps things up quite nicely in an issue drawn by Mattia De Iulis.
Writer Seanan McGuire carves out a little more uneasy narrative terrain for the young superhero.
Psylocke and company get their next step in their battle against Apoth.
It’s the New Mutants versus the People of the Shi’Ar Empire!
In the future of 2099, the police only look out for the rich and famous. The Punisher aims to fix that.
This issue just goes to show that you can take the man out of the Hyborian Age, but you can’t take the Hyborian Age out of the man.
Marvel finally chooses to capitalize on Yondu’s popularity… two years later.
Sometimes, family isn’t who you’re born with. It’s who you find along the way.