A brilliant approach to an Indiana Jones/Tomb Raider-style adventure…with a bit of Ocean’s Eleven thrown-in.
All in Marvel Comics
A brilliant approach to an Indiana Jones/Tomb Raider-style adventure…with a bit of Ocean’s Eleven thrown-in.
Dialogue between Black Cat and her date is contrasted against the desperate entanglement of her former mentor.
Art and story mix in a pleasant duet
A fresh, new direction for the book
All superheroes have problems- usually of the supervillain variety, but occasionally it’s alien invasions or time travel shenanigans. Then there are the problems that you can’t fight with your superpowers, the problems that you can’t call in the Avengers for.
Miles Morales: Spider-Man remains one of Marvel’s more consistent titles, and the return of artist Javier Garrón means a return to form for this issue.
Ghost Rider #2 is a mixed bag, with baffling character motivations and uneven art.
The New Mutants a re looking for one of their own.
The Superior Spider-Man is dead. But Otto Octavius is back, and ready for revenge.
Logan’s last fight.
Waid puts together a solid story here, it just doesn’t necessarily feel like a Marvel story.
It's a really delicate balance that MacDonald and Farrell execute in the lead story.
If you want a splash of horror with your heroes, look no further.
House of X and Powers of X are a hard act to follow, but this book nails it with ease.
This is a legendary comic book story
This chapter seems to be setting up the next leg of Ewing’s epic
The situation with Nuclear Man (issues 1-5) left Ripley with unresolved trauma, giving her nightmares for weeks. So she’s attempting to cope with this by becoming as powerful as possible to never need saving again. No matter what it takes, she won’t be put in that situation again.
There are interesting little bits of promise emerging from an intriguing concept.
The series regains some momentum as CAFU puts in some very, very deft work.
The final issue of Fearless wraps-up what really should be the first in several such series.