The full reveal of Loughridge’s premise IS kind of a disappointment.
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The full reveal of Loughridge’s premise IS kind of a disappointment.
Gillen explores a fascinating and provocative angle on the god-as-artist concept.
Williamson manages a very tight combination of familiar and unfamiliar elements.
Benitez and Chen put a lot of edges an and around everything.
Darcy Van Poelgeest lets loose on the restless energy.
Johnson's rendering continues to be very appealing.
Zdarsky does a clever job of manipulating the traditional trappings of superhero stories.
Andreyko fuses the narration of the issue with some degree of humor.
The art team does a good job of harnessing the horror.
It's a fun, little action sequence.
Kubert’s adventure shoots quite swiftly along.
Remender hits the page with one of the more brutal entries into the series.
Young walks the fine line between comedy and drama.
Todd McFarlane tries his best to tell a story.
Casey mixes a few things into the narrative that make it feel considerably more sophisticated than Rambo.
Fleecs fills the issue with a very heartfelt kind of precision.
It’s not that difficult to push weight-loss narratives in the right direction and watch them go.
Craig is working with a fusion of various different elements.
Mele does a solid job of delivering the action to the page.
Johns’ script works on a few different levels.