Tynion doesn’t quite manage anything of note here.
All in Image Comics
Tynion doesn’t quite manage anything of note here.
The artist balances the title character's grotesqueness against his reluctant heroism.
Marco B. Bucci’s story has lost a bit of momentum.
Hits the page in a remarkably vivid nonverbal way.
Wijgnaard mixes some stunning colors with the visual percussion of two supernatural forces clashing.
March's art has a deeply detailed life about it.
Orlando's feverishly-rendered plot continues to race along.
The darkness has swallowed the Earth.
Jacopo B. Camagni blends the fantastic with the realistic in a way that feels both beautiful and unnatural.
It’s not as compelling as previous chapters, but it does provide a bit of backstory.
Ernie makes a great deal of progress in a largely satisfying fifth issue in the series.
Ellie and company, along with Madman and the Paybacks, find unexpected help in a strange place.
A slightly haunting moody drama, the likes of which don’t often make it to the comics page.
Empathy is dead. That's not a metaphor or anything.
Inkblot the cat retains his characteristic appeal.
Tynion’s working with the overlapping mysteries are dizzyingly provocative.
Bucci manages to keep everything dazzlingly in perspective.
A comfortable kind of supernatural drama.
Remender eases Ernie into a deeper, more philosophical issue.
Ellie, Otto, and Ava go on a road trip and get more than they bargained for.