The dystopian sci-fi series inspired by Charles Dickens’ Oliver Twist steps out of the shadows and into a bit of intrigue.
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The dystopian sci-fi series inspired by Charles Dickens’ Oliver Twist steps out of the shadows and into a bit of intrigue.
Can John Freeman escape the consequences of his father’s scheming?
Abel and Fox skulk around a traveling carnival at night.
A man from Martin’s violent past pops-up as an imposing giant of a bodyguard.
A rabbit consults with a deranged rodent in an attempt to save a small home from the clutches of an unscrupulous investor.
Laroche’s tale casts human politics against the overwhelming crush of an alien invasion.
While Mike and Grace’s journey is rapidly heading towards its end their fate is still a mystery. Will they be able to fulfill Mike’s mission or will they die at the hands of President Barrow?
A moody gaze into the nature of crime in America.
Self/Made is beginning to reveal what might make it special.
Chelsea Cain continues to explore a witty and deeply layered contemporary horror.
A clever paranormal sitcom with wit and genuinely funny dialogue.
As strange a mash-up as Whitta’s Oliver is, there’s real potential here for deep social commentary.
What if the games you played as a child came back to haunt you?
This is a coming-of-age magical fairy tale, but it’s going to be a very ethically complicated one.
…an idiosyncratically artistic addition to the alien invasion sub-genre that draws together various established elements of military-based sci-fi.
Fletcher balances the issue half in dream and half in danger.
Trying to escape Drum is a dangerous endeavor- especially when the President’s right hand man is hunting you as well.
Nina’s story reaches a major turning point when she embraces her mother, Gloria.
Martin Mills is a music industry A&R guy. Like any other good A&R guy, he knows how to make deals with rising talent. Unlike any other good A&R guy, he’s kind of a sociopath.