Tynion is working with tropes that have been used pretty extensively before.
All in Horror
Tynion is working with tropes that have been used pretty extensively before.
Kennedy clearly has a deep respect for his artist’s ability.
McConville weaves a perfectly good chapter.
Fleecs is handling quite a lot in the course of a story,
Roberts’ darkness is substantial.
It’s not terribly deep.
Might be one of the single best things Remender has written in the past few years.
Gündüz frames some really striking imagery.
Ultimately it comes together, but it’s a bit of a disappointment.
Motion lines. They’re abusing motion lines.
Bertram’s work is brutally surreal.
Wilson ends her second year with Pam in an emotionally crushing issue.
The horror is dense. The atmosphere is immersive.
Mhan’s artwork is highly kinetic.
Williams gives Zatanna a very approachable and relatable twist.
A deliciously wicked hero hunting an ancient hero who turns out to be a monster.
McConville’s script is okay.
Tynion doesn’t draw a whole lot of insight into the characters.
Avallone throws a bit of a fight party for all of the big monsters from classic cinema history.
Thompson does a really good job of illustrating the thoughts and feelings of a group of people.