A surprisingly well-balanced final chapter written by Cecil Castellucci.
All in Female Lead
A surprisingly well-balanced final chapter written by Cecil Castellucci.
Tamaki’s pacing and plot structure are particularly good this time around.
Pérez slices the action across the page in long, narrow panels.
Artist Keng follows Liefen’s modulations with visuals that capture a variety of different moods.
The pacing of the story gets a bit lost in the poetry early on.
Ram V places various elements into the frame with an architect’s eye for detail.
A fun action encounter on the beach.
After the Empyre event seemed to drag on, Captain Marvel #22 is an exciting return to a Carol-centric story that doesn’t require reading multiple other books to understand.
After sustaining severe injuries in an attack during a Champions mission, Kamala is finally returning to school and facing the new realities of Kamala’s Law head-on. But as the face of the movement against her secret identity, Kamala is going to have to tread carefully.
A weird action story that lurches around the page appealingly.
The second issue draws further appeal from Kubert's adorably oblivious hero.
The overall sense of immensity and impending doom seems missing in an otherwise enjoyable finale.
The murky poetic mess of the narrative is great fun.
The unique personality of Natasha Romanoff defines the heart of the story.
Obropta and Simonson's "Museum Madness" is a sharp, little prequel to Wonder Woman 1984.
Tamaki strikes a powerful balance between youth and malice with a compelling, new villain.
Edginess comes across as childishness. It almost works.
The modern-day witch-based horror/fantasy series opens with some endearing wit and a whole lot of potential.
Pacheco finesses a lot of things in this issue that really have no business working as well as they do.
Contemporary fantasy glides along through another appealing issue.