Orellana frames the basic premise of the series with impressive concision.
All in Drama
Orellana frames the basic premise of the series with impressive concision.
O’Malley dives right into the early stages of a very cute romantic relationship.
Pepose does a remarkably good job of framing the work.
The story ends up having a great deal of energy.
Layman modulates the issue pretty well.
There’s real darkness in what Rosenberg is bringing to the page.
Walsh’s rendering of classic scenes from the movie hits the page much better than it hit the screen in the old movie.
Remember and Warren have a very solid piece of dram.
It’s not brilliant or anything like that.
Grønbekk shuffles around a lot of really fun and enjoyable sword and sorcery fantasy elements.
Bengal’s sharp sense of atmosphere gives the entire issue quite a bit of gravity.
Johns and company deliver a really impressive second issue.
Tomasi delivers a clever turn on the traditional coming of age story.
Remender and Posehn ride a very careful line between over-the-top drama and earthbound family stuff.
It’s dark and sinister stuff.
McManus’ execution of the art in that second story is pretty impressive.
Thompson has a knack for catching a series of scenes and putting them together.
Arcudi has been fusing several different things together with this particular narrative.
That’s remarkably sharp prose.
Tynion twists a fiction around one of the most legendary deaths of the 20th century.