Howard clearly has a very solid grasp of all of the weird convolutions that are going on in the Gotham City.
All in Drama
Howard clearly has a very solid grasp of all of the weird convolutions that are going on in the Gotham City.
There’s a tremendous amount of power shooting across the page.
A very noble way to tackle the final issue of the series.
Cloonan and Conrad are saying goodbye.
A solidly entertaining narrative.
A remarkably concise, little one-shot
Acosta frames the action pretty well.
Dániel’s art feels vividly like something that Marvel would have put out in the 1960s.
A sharply balanced political drama.
Kennedy opens the issue with a few pages of speechless combat.
Sorrentino has a gift for bringing breathtakingly real visages,
Burnett has a beautiful grasp of kinetic motion in action.
Adams and company take a well-balanced approach to Hal and his life.
Kudrański is taking his time with the story.
Another well-rendered, well-modulated issue.
Barnes manages a very heartfelt iteration of the premise.
Wagner and Dabbs conjure a brilliantly expressive first issue.
Cady weaves the opening to the series with a tight, little ensemble of characters.
It’s a nice progression from the first to the fifth issues.
A political and intellectually rendered anti-hero.