A very noble way to tackle the final issue of the series.
All in Drama
A very noble way to tackle the final issue of the series.
Cloonan and Conrad are saying goodbye.
A solidly entertaining narrative.
A remarkably concise, little one-shot
Acosta frames the action pretty well.
Dániel’s art feels vividly like something that Marvel would have put out in the 1960s.
A sharply balanced political drama.
Kennedy opens the issue with a few pages of speechless combat.
Sorrentino has a gift for bringing breathtakingly real visages,
Burnett has a beautiful grasp of kinetic motion in action.
Adams and company take a well-balanced approach to Hal and his life.
Kudrański is taking his time with the story.
Another well-rendered, well-modulated issue.
Barnes manages a very heartfelt iteration of the premise.
Wagner and Dabbs conjure a brilliantly expressive first issue.
Cady weaves the opening to the series with a tight, little ensemble of characters.
It’s a nice progression from the first to the fifth issues.
A political and intellectually rendered anti-hero.
Taking away the names, the fame, and the legend allows Chaykin to focus his history on the people who built an industry.
Pacat and company continue to craft an appealing story.