Rowell fully embraces the more dramatic end of the fourth wall.
All in Drama
Rowell fully embraces the more dramatic end of the fourth wall.
So much of what Tynion is doing rests between the moments of the story.
Lolli and Baldeón are clearly having a lot of fun.
A deliciously clever approach.
The series isn’t spending nearly enough time focussing on Courtney.
Cloonan and Conrad elevate things quite a bit.
There is much that is gruesome and appealing on the page.
A clever scriptwriter who also happens to have a deep love for the world in which he’s writing.
Profoundly clever characterization.
Phillips makes it work beautifully with some insanely witty dialogue.
The drama of the series crawls across the page with wit and grace.
The distinct fusion between action, intrigue, and....parenting is a fascinating one.
Taylor’s tale is a natural and rewarding progression.
#8 is a She-Hulk without She-Hulk.
Lord of the Jungle will likely find its distinctive voice as things progress.
The plot appears to be carefully constructed.
The rich visual world that Craig is putting on the page is a lot of fun.
It’s too bad she wasn’t given more room to explore the themes of Longshot and Mojo.
Romita Jr. has a remarkably fluid understanding of how Spidey works
Cloonan and Conrad do a brilliant job of drawing Wonder Woman, Superman, and Batman together.