There's a moody nuance to it all.
All in Drama
There's a moody nuance to it all.
Howard’s carefully-crafted political power drama continues to hold compelling gravity.
The coin's origin is given greater depth in the tight, little nightmare of a standalone issue.
A unique connection between a living soul and a ghost that strikes the page with beautiful balance.
Seeley’s a funny writer.
The issue carries itself quite well.
Everything is staggeringly well-balanced.
There isn’t a great deal of forward momentum in the plot.
Clever, little bits of wit that cling around the corners of the imagination.
"Unbelievable non-action on every page!!!"
Rowell allows for enough time with Jen to make the issue satisfying.
Emily Kim juggles everything with finesse.
Phillips finds a unique entry into a weird sub-sub-genre of science fiction.
Bellaire does some AMAZING work with color.
The late 1960s play out without much of a central gravity.
Ayala and Williams do an outstanding job.
Takara continues remarkably graceful visuals for Diana.
Dan Watters dives into stranger, darker territory.
The overall rhythm and shadow of the story feel like a classic story out of EC's Tales from the Crypt.
There is thoughtful murkiness in the course of the final moments of the series.