Seeley’s a funny writer.
All in Drama
Seeley’s a funny writer.
The issue carries itself quite well.
Everything is staggeringly well-balanced.
There isn’t a great deal of forward momentum in the plot.
Clever, little bits of wit that cling around the corners of the imagination.
"Unbelievable non-action on every page!!!"
Rowell allows for enough time with Jen to make the issue satisfying.
Emily Kim juggles everything with finesse.
Phillips finds a unique entry into a weird sub-sub-genre of science fiction.
Bellaire does some AMAZING work with color.
The late 1960s play out without much of a central gravity.
Ayala and Williams do an outstanding job.
Takara continues remarkably graceful visuals for Diana.
Dan Watters dives into stranger, darker territory.
The overall rhythm and shadow of the story feel like a classic story out of EC's Tales from the Crypt.
There is thoughtful murkiness in the course of the final moments of the series.
Action hero clichés take on a fun playfulness between siblings.
A story that explores some surprisingly deep emotional territory.
Pacheco and company have fun with the weird complexities of Jess' past.
A very primal contrast in an enjoyable second issue.