It loses its momentum once things get wacky.
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It loses its momentum once things get wacky.
Adams has a remarkably solid sense of composition.
Wilson is working brilliantly with both psychological and supernatural horror.
Rosenberg struggles to keep the stories distinct.
Superman finally accepts help from Lex and SuperCorp to battle the Parasites.
Wilson gives Wonder Woman the warmth and passion that she so richly deserves.
At its heart, Bennett’s story makes for a really fascinating read.
Waid clearly differentiates between the personalities and ideals of Clark and Bruce.
Adams tackles a real challenge with an issue that is largely populated by kids.
Moore’s style approaches Hell in a very straightforward way.
Howard finally found a dynamic that works with Selina.
Cloonan and Conrad have given Steph, Cass, and Babs a very solid sense of character development.
It feels like they’re doing something quite new with Diana.
Metallo’s attacks intensify, Doombreaker finds a bone shard as Jon and the princess get into even more trouble, and Power Girl finally sees who’s been after her, Clark and Lois confront Doombreaker, and Power Girl and Jon Kent learn the secret of who’s after Power Girl.
Jon Kent, Val-Zod, and Red Tornado begin the hunt for Ultraman.
Brisson keeps the action moving quickly.
Tynion is working with well-established images of good and evil.
Lupacchino has a firm handle on the crushing drama of powerful characters.
Rosenberg’s series has harnessed some of the stronger madness of the psychotic clown.
So much of what crawls around the edges of that action feels like a distraction.