Lupacchino has a firm handle on the crushing drama of powerful characters.
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Lupacchino has a firm handle on the crushing drama of powerful characters.
Rosenberg’s series has harnessed some of the stronger madness of the psychotic clown.
So much of what crawls around the edges of that action feels like a distraction.
A brilliantly expressive story.
Very familiar characters don’t come across as being particularly interesting.
Culver is covering some very familiar ground.
Howard really strings things through a weird funhouse.
There’s a lot to capture the reader’s attention.
Bennett finds a remarkably clever little issue for Batman.
Wilson’s wit carries the issue quite well.
Superman has to figure out a way to deal with the more dangerous Parasite.
Johns is juggling a great many heroes here.
The art team for this issue is huge.
The Catwoman in the street is A LOT more intriguing than the one behind bars.
When you wake up in the morgue, the first thing you’re going to want to do is call your girlfriend.
A particularly nice embrace of a new season.
Conrad and Cloonan’s run on Wonder Woman feels like it’s going to be an intrepid triumph.
Janin and Ordway play to a rather deft balance between action and drama.
It’s a fun one-shot adventure.
Wilson frames a really interesting conflict.