Grønbekk opens the series with a well-woven first issue.
All in Action
Grønbekk opens the series with a well-woven first issue.
Brown isn't quite pacing things right.
Bendis’s dialogue isn’t poetically brutal so much as it is...terse.
The title character serves as more of a sidekick
It’s a fun opening to a fast-paced action drama.
Something a lot darker than your standard Disney movie.
The action smears itself across the page like a thick mucus.
Simonson deftly captures the rhythm and style of late 1960s’ Kirby and Lee.
Marz’s 1990s Marvel Universe continues to feel exceedingly comfortable.
Wilson’s dialogue is as crisp as ever.
Wells has really switched the direction of the series into action/comedy mode.
The whole thing feels remarkably engaging.
The casual brutality at the end of the issue is a bit intense.
Venditti and McKinney pound the story into the page with a clever poetry.
Mendonca and Lucas maintain a crazy energy about the nightmare.
Williamson has a classy sense of language.
Bayliss and Monti keep the emotional end of the conflict solidly grounded.
Waid’s narrative is subtly trippy on a number of different levels.
Weisman cleanly opens a primal and well-defined conflict of simple elements.
Jurgens has constructed a solid ending.