The art team is a good portion of the reason why Hill’s script works.
All tagged Elena Casagrande
The art team is a good portion of the reason why Hill’s script works.
A conclusion that feels remarkably fluid from beginning to end.
Thompson's final issue feels a bit rushed.
Everything is staggeringly well-balanced.
Deft attention is paid to tension.
Thompson is doing delicate work.
Bellaire is given some really fun opportunities to bathe the action in color.
Thompson does an outstanding job of modulating the energy.
A great balancing act between interpersonal drama, cloak-and-dagger mystery, and all-out action.
Thompson has found an entertaining new role for Natasha.
The specifics may feel weak, but the drama has enough gravity to hold together the story.
Kelly Thompson continues a tale of a misplaced amnesiac Marvel super-spy.
The unique personality of Natasha Romanoff defines the heart of the story.
Thompson deftly manages a very narrow characterization for Black Widow.
Joëlle Jones uses the extended space of a special 37-page format to tell one of the single best stories of her run on Catwoman.
A heroine edges further into darkness at the prospect of a criminal actually reforming.
The creative team finds some equilibrium in a physically dynamic issue that coaxes Catwoman into the supernatural.
Moody dialogue and narration reside in a story which cuts from scene to scene with an intelligent pulse.