Vecchio manages to find a way to make it work.
Vecchio manages to find a way to make it work.
Piriz has managed a really clever parallel between Jonathan and Jonny.
Visuals continue to be really appealing.
A clever patchwork of various elements.
Ganuchaeu rushes through a manic series of events.
Williams keeps it sharp for his tale of Terry and the dummy.
Vale has some sense of design fresh novel visuals.
Moss is also working with imagery that had been around for a long time.
Corona’s art is extremely textured.
Bennet mixes the supernatural with the criminal.
A very well put-together series of holiday horror stories.
Barberi’s art continues to look like a suitably exaggerated sort of an action horror thing.
Seeley has a really interesting world that he’s been working with.
Young continues an admirable amount of character development for Gert.
Orellana frames the basic premise of the series with impressive concision.
O’Malley dives right into the early stages of a very cute romantic relationship.
Pepose does a remarkably good job of framing the work.
The story ends up having a great deal of energy.
Layman modulates the issue pretty well.
There’s real darkness in what Rosenberg is bringing to the page.