Wells brings a fugitive Spider-Man story into very sharp focus.
All in Marvel Comics
Wells brings a fugitive Spider-Man story into very sharp focus.
The drama comes across with striking clarity.
It really just looks like they took a staggeringly high-resolution scan of 44-year-old toilet paper.
There is some intrigue involving political ambitions.
The drama driving the story IS interesting.
The Brotherhood teams up with Destiny to take on Orbis Stellaris.
Wolverine and X-Force are forced to deal with Beast’s newest plot.
Krakoa is ascendant a hundred years in the future, but not everyone is happy.
As the X-Men battle the Brood, Jean Grey and Magik go to Broo to help, and Forge and Monet struggle on Knowhere.
Cantwell is opening the series in uncertainty.
X-Force storms the Man with the Peacock Tattoo’s compound.
X-Force tries to find XENO’s base as the Man with the Peacock Tattoo hatches a new plan with Max.
Storm and her team go on a hunt for the Moira Engine.
As Forge and Monet take a trip into a black hole, the X-Men face off against the Brood.
Wolverine strikes back against Beast’s machinations.
The Quiet Council plans war as Sinister regrets his conquest.
The Exiles get closer to the General Contractor.
Zama’s scratchy hatching feels strikingly characteristic of…manga.
Rowell’s pacing is just so...indie.
Savage Avengers ends the only way it can: hard, fast, and with complete love for comics and the characters.