Ghost Rider #2 is a mixed bag, with baffling character motivations and uneven art.
All in Marvel Comics
Ghost Rider #2 is a mixed bag, with baffling character motivations and uneven art.
The New Mutants a re looking for one of their own.
The Superior Spider-Man is dead. But Otto Octavius is back, and ready for revenge.
Logan’s last fight.
Waid puts together a solid story here, it just doesn’t necessarily feel like a Marvel story.
It's a really delicate balance that MacDonald and Farrell execute in the lead story.
If you want a splash of horror with your heroes, look no further.
House of X and Powers of X are a hard act to follow, but this book nails it with ease.
This is a legendary comic book story
This chapter seems to be setting up the next leg of Ewing’s epic
The situation with Nuclear Man (issues 1-5) left Ripley with unresolved trauma, giving her nightmares for weeks. So she’s attempting to cope with this by becoming as powerful as possible to never need saving again. No matter what it takes, she won’t be put in that situation again.
There are interesting little bits of promise emerging from an intriguing concept.
The series regains some momentum as CAFU puts in some very, very deft work.
The final issue of Fearless wraps-up what really should be the first in several such series.
McGuire’s broader plans for Gwen get pulled a bit more into focus in another thoroughly satisfying issue.
Liefen has an excellent understanding of pacing.
Absolute Carnage #4 is dumb action, and thank God for it.
It’s a Summers family reunion!
If you want nothing more than fanservice this story is great—you can see your favorite heroes fight one on one in their swimsuits. But fanservice isn’t enough to carry an entire story.
A must-read. If you’re a horror fan, it’s a must-read. If you’re neither of those things, you should probably still give it a try