Williams keeps it sharp for his tale of Terry and the dummy.
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Williams keeps it sharp for his tale of Terry and the dummy.
Corona’s art is extremely textured.
Bennet mixes the supernatural with the criminal.
Barberi’s art continues to look like a suitably exaggerated sort of an action horror thing.
Seeley has a really interesting world that he’s been working with.
Young continues an admirable amount of character development for Gert.
Orellana frames the basic premise of the series with impressive concision.
O’Malley dives right into the early stages of a very cute romantic relationship.
Layman modulates the issue pretty well.
There’s real darkness in what Rosenberg is bringing to the page.
Walsh’s rendering of classic scenes from the movie hits the page much better than it hit the screen in the old movie.
Remember and Warren have a very solid piece of dram.
It’s not brilliant or anything like that.
Grønbekk shuffles around a lot of really fun and enjoyable sword and sorcery fantasy elements.
Johns and company deliver a really impressive second issue.
Tomasi delivers a clever turn on the traditional coming of age story.
Remender and Posehn ride a very careful line between over-the-top drama and earthbound family stuff.
It’s dark and sinister stuff.
McManus’ execution of the art in that second story is pretty impressive.
Arcudi has been fusing several different things together with this particular narrative.