Zdarsky isn’t working with anything that is terribly new.
All in Image Comics
Falling In Love on the Path to Hell #3 // Review
Duggan is working on a tiny, little canvas that echoes through themes that go back to the dawn of storytelling.
Geiger #5 // Review
Johns lays-out a very clear physical conflict between three men and a two-headed dog.
Johnny Quest #1 // Review
Casey opens the series on sort of a fun adventure.
Napalm Lullaby #6 // Review
Remender keeps the action rolling.
Precious Metal #3 // Review
Bertram’s art builds a richly textured background.
Red Sonja--Empire of the Damned #5 // Review
Niles wraps-up the tale with a very brisk set of action-based pages.
Rifters #3 // Review
Johnson and Englert do a brilliant job wit the art.
Transformers #11 // Review
Johnson is working with a very large extended ensemble.
Ain't No Grave #4 // Review
Some journeys don’t require words.
C.O.W.L. 1964 #1 // Review
Higgins and Siegel lower in a hell of a lot of background.
Cyber Force: Shootout #1 // Review
This is a classic chase and hunt sort of a thing.
Misery #3 // Review
McFarlane is working with a dozen different cliches.
The Power Fantasy #1 // Review
Wijngaard’s work is brilliantly muted. Gillen’s script is cleverly concise.
Scarlett #3 // Review
Thompson has a sharp wit
The Scorched #32 // Review
Segovia has a lot of room to move around the action.
The Deviant #7 // Review
Tynion is working with tropes that have been used pretty extensively before.
The Department of Truth #24 // Review
Tynion is once again channeling Alan Moore’s work on Brought to Light.
Drawing Blood #4 // Review
A simplified look at the drama of the contemporary comic book industry.
The Forged #9 // Review
Rucka and Trautman have a lot of units to move around the field of battle.