Motion lines. They’re abusing motion lines.
All in Image Comics
Motion lines. They’re abusing motion lines.
Bertram’s work is brutally surreal.
Busiek and Nicieza have the nucleus of a good idea.
Llovet’s story has a crisp precision about it.
Daniel's story crunches together a hell of a lot in a minimal time.
McConville’s script is okay.
Tynion doesn’t draw a whole lot of insight into the characters.
Thompson does a really good job of illustrating the thoughts and feelings of a group of people.
Parker and Sheridan really have something here.
Crook glides the horror drama through a well-paced story.
The story gets really interesting.
The script is fun.
Booth and company do the best they can with another issue-length combat sequence.
The Cull is completely unlike anything else on the comics rack right now.
Weisman launches straight into the action right away.
The "getting the team together" chapter can be done with style and poise.
Luna and Wood spend some time establishing the interpersonal dramas.
The multiple layers of the stories seem to be smashed together in weird ways.
The framing of the Dark Knight/Watchmen era of DC Comics is a fun read from Chaykin's perspective.
One of the more interesting narrative fusions on the comics rack today.