Wagner moves the story along quite steadily.
All in Horror
Wagner moves the story along quite steadily.
Van Poelgeest frames every scene in the issue like it's an inexplicably, beautiful, little narrative poem.
Johns works a fun premise.
McFarlane has a couple of fun ideas in the issue.
McConville populates the issue largely with dramatic scenes.
Tyrion’s dialogue continues to feel very natural.
There’s a lot of exposition delivered in the text.
Zdarski moves a remarkably tight narrative through only a few pages.
Wagner is moving the narrative around the edges of detail.
Walsh deftly extends the study of the intellectual side.
Schultz clearly has a long-range plan for the pacing of the series.
Young is closing-out the equation in the final issue.
So much of what Tynion is doing is so very, very simple.
A pretty cool idea that McFarlane totally fails to live-up to.
Layman tells a very concise story.
Lyra is a hell of a lot more interesting than the title character of Spawn.
A weirdly compelling kind of stiffness.
It's all moving with the right kind of momentum.
A REALLY promising beginning.
Wagner is doing a sharp job.