Another blossoming of darkly comic horror drama.
All in Horror
Another blossoming of darkly comic horror drama.
The weirdness of the series twists.
Cleverly taps into the horror of beginnings, endings, birth, and death.
a fascinating fusion between romance, horror, and Groundhog Day crossed with Quantum Leap.
The kids’ schism reaches the next level.
The bright spot in an otherwise bleakly comic drama.
As Yui and one group stay with the young human, Billy and his group deal with the consequences of their action.
The atmosphere here is powerful stuff.
A grizzly and largely satisfying fusion of horror and war.
Wilson has a really deft command of intricate, little complexities.
Wijngaard balances the intense and intricate emotions against larger action
A very appealingly paranoid mood.
There’s a swiftness to Tynion’s darkness.
The Academy is judged by the Carnival.
The children deal with what they’ve found.
The plot doesn’t thicken so much as...coagulate…
Brutality. Violence. Reanimation. It's all in there.
Romie and Billy make a discovery that changes everything for the group.
Fornes and Bellaire Are working with some remarkably iconic images.
The coin's origin is given greater depth in the tight, little nightmare of a standalone issue.