A pretty cool idea that McFarlane totally fails to live-up to.
All in Female Lead
A pretty cool idea that McFarlane totally fails to live-up to.
Lieberman has a solid grasp of the basic action of the story.
Benitez and Cheng construct a very solid first quarter for their new series.
Thompson nails the balance perfectly.
It's all moving with the right kind of momentum.
Grønbekk has an inventive flair for traditional sword-and-sorcery.
It’s one, long interrogation.
Niles wraps-up the tale with a very brisk set of action-based pages.
There really IS a kind of weighty reality that Priest is bringing to the page.
Some journeys don’t require words.
This is a classic chase and hunt sort of a thing.
McFarlane is working with a dozen different cliches.
Thompson has a sharp wit
Giovanni moves around the action on the page with a precise hand.
Cafaro has a solid sense of mood and tone.
King does a brilliant job of characterization with a very diverse group of heroes.
Krajewski and Muro develop a really social sort of an opening narrative.
The dialogue is quick and crisp.
The clever bit is Thompson’s ability to modulate the aggression of the action.
Wilson ends her second year with Pam in an emotionally crushing issue.