Carlos has a solid sense of execution with respect to light and shadow.
All in Drama
Carlos has a solid sense of execution with respect to light and shadow.
The full reveal of Loughridge’s premise IS kind of a disappointment.
Gillen explores a fascinating and provocative angle on the god-as-artist concept.
It’s nice to see the reptilian getting a bit of the spotlight as the series continues.
Williamson manages a very tight combination of familiar and unfamiliar elements.
Darcy Van Poelgeest lets loose on the restless energy.
Johnson's rendering continues to be very appealing.
Shalvey doesn’t move that far beyond a traditional Vietnam narrative.
Daniel Warren Johnson is cleverly playing with the pieces that he's been given.
The art team does a good job of harnessing the horror.
It's a fun, little action sequence.
Kubert’s adventure shoots quite swiftly along.
Remender hits the page with one of the more brutal entries into the series.
Young walks the fine line between comedy and drama.
Kaplan maintains the overall tone.
Todd McFarlane tries his best to tell a story.
Wiseman is juggling a lot.
Casey mixes a few things into the narrative that make it feel considerably more sophisticated than Rambo.
Fleecs fills the issue with a very heartfelt kind of precision.
It’s not that difficult to push weight-loss narratives in the right direction and watch them go.