Ahmed manages to construct a thoroughly engrossing action drama.
All tagged Saladin Ahmed
Ahmed manages to construct a thoroughly engrossing action drama.
It’s a simple and primal idea.
Acosta frames the action pretty well.
The entire run of The Magnificent Ms. Marvel was a wonderful time filled with laughs, tears, and everything in between. It’s sad to see it end, but the creative team did a fantastic job of wrapping everything up in a way that felt natural and conclusive for this period of Kamala’s life.
Readers get more bloody Wolverine goodness.
In this penultimate issue, Ms. Marvel faces old enemies, uneasy alliances, and betrayal from a friend.
The Magnificent Ms. Marvel #16 continues to explore how Kamala's Law has affected Ms. Marvel and friends' abilities to carry out their superhero duties.
After sustaining severe injuries in an attack during a Champions mission, Kamala is finally returning to school and facing the new realities of Kamala’s Law head-on. But as the face of the movement against her secret identity, Kamala is going to have to tread carefully.
After a months-long hiatus, Kamala is back in The Magnificent Ms. Marvel #14, an intense, emotional story that takes place in the aftermath of Outlawed #1.
Ms. Marvel #13 kicks off a brand new story arc, and it starts strong as writer Saladin Ahmed introduces a new character (co-created with Sara Alfageeh). So Kamala's circle of superhero friends expands.
Sometimes being a hero means you have to make impossible decisions; a lesson Kamala learns in The Magnificent Ms. Marvel #12.
Kamala’s life has been quickly unraveling, and if she can’t figure something out soon, it may be the end of life as she knows it…
Miles Morales: Spider-Man #14 is a mushy mess.
Miles Morales: Spider-Man #13 is a case of wasted potential.
In The Magnificent Ms. Marvel #10 — written by Saladin Ahmed with art by Minkyu Jung, inks by Juan Vlasco, colors by Ian Herring, and letters by VC's Joe Caramagna — Kamala's hectic life spirals more out of control despite her best attempts to stay on top of everything.
All superheroes have problems- usually of the supervillain variety, but occasionally it’s alien invasions or time travel shenanigans. Then there are the problems that you can’t fight with your superpowers, the problems that you can’t call in the Avengers for.
Miles Morales: Spider-Man remains one of Marvel’s more consistent titles, and the return of artist Javier Garrón means a return to form for this issue.
If the theme of Kamala's journey thus far has been growth and development, then this issue shows the often-overlooked consequences of these phenomenons. Saladin Ahmed writes about topics like corporate expansion and workers rights through the lens of a superhero/supervillain power struggle. Artists Joey Vazquez and Alex Arizmendi, colorist Ian Herring, and letterer VC's Joe Caramagna lend their talents to this very topical story.
The writing alone makes Miles Morales: Spider-Man #11 still a worthwhile read, but the use of fill-in artists really hurts this issue.
Writer Saladin Ahmed partners with artist Joey Vazquez, color artist Ian Herring, and letterer Joe Caramagna to make a story that's one part YA contemporary and three parts superhero adventure.