There’s real darkness in what Rosenberg is bringing to the page.
All in Horror
There’s real darkness in what Rosenberg is bringing to the page.
Walsh’s rendering of classic scenes from the movie hits the page much better than it hit the screen in the old movie.
Johns and company deliver a really impressive second issue.
Tomasi delivers a clever turn on the traditional coming of age story.
McManus’ execution of the art in that second story is pretty impressive.
Tynion twists a fiction around one of the most legendary deaths of the 20th century.
Darcy Van Poelgeest lets loose on the restless energy.
Andreyko fuses the narration of the issue with some degree of humor.
The art team does a good job of harnessing the horror.
It's a fun, little action sequence.
Todd McFarlane tries his best to tell a story.
It’s not that difficult to push weight-loss narratives in the right direction and watch them go.
There’s a lot of backstory that’s delivered.
Thompson has taken the basic legend of Wonder Woman and moved it into a spectacularly mystic darkness.
Walsh cleverly constructs the concerns of the heart.
Cox has been slowly making a statement about humanity.
It all fuses together on the page.
Pirzada’s script juggles quite a few characters.
Andreyko certainly makes the title character an appealing monster.
Benitez and Chen manage a pretty tight chapter.