The action of the plot is deeply intertwined with the deeper dramas at work.
All in Dynamite Comics
The action of the plot is deeply intertwined with the deeper dramas at work.
Cafiero is developing a lot of ideas.
Shalvey constructs the script to this particular issue with a clever rhythm.
Priest is managing, very tricky balance.
There’s a lot of exposition delivered in the text.
Lee deftly handles the rather subtle intricacies of uncertainty and ennui.
It’s sharp stuff that feels relatively well-balanced.
A “Days of Future Past” thing with Johnny Quest.
Lieberman has a solid grasp of the basic action of the story.
It's all moving with the right kind of momentum.
A solid departure from the central appeal of Sweetie Candy.
Shalvey is working with quite a few of the basic fundamentals of the series.
There really IS a kind of weighty reality that Priest is bringing to the page.
David Pepose takes a pulpy space action story and gives it the edge of more than a little bit of danger and menace.
Weisman is working with quite a few things.
Gündüz frames some really striking imagery.
Giovanni moves around the action on the page with a precise hand.
Shalvey explores a little bit of the backstory behind Third Earth.
The dialogue is quick and crisp.
The horror is dense. The atmosphere is immersive.