Williams cleverly balances the narrative between action and drama.
All in DC Comics
Williams cleverly balances the narrative between action and drama.
The alternating narratives cast a fascinating reflection into who Diana is.
Campbell is delicate with the pacing.
Buccellato doesn't exactly have a whole lot more room to move around.
Echoes some of the better aspects of previous Power Girl stories.
It’s a cheap gimmick, but it works.
Wilson, Takara, and Prianto continue to develop something truly distinct and distinctive.
Bustos gives Smallville an atmosphere and personality.
Thompson does a really good job at the characterization.
Williamson places Deadman at the center of the climactic action.
Murphy, Collins, and McCormack dance lightly around the mythology of Gotham City.
The concept of the Joker with a day job is fun.
Ram V is riffing on themes floating through superhero fiction for decades.
Williamson ushers a couple of powerful Kryptonians through their greatest fears.
Howard richly casts the narrative in the voice of Raven.
There are places where Leiz's artwork is gorgeous.
Thompson is great fun with any script.
A tight, little nightmare
Moore captures the spirit of a Silver Age-style first meeting between Batman and Superman.