Tamaki and company orchestrate some surprisingly thoughtful allegory in a very satisfying issue.
All in DC Comics
Tamaki and company orchestrate some surprisingly thoughtful allegory in a very satisfying issue.
A provocative 21st-century update on the Joker concept.
An enjoyable 16-pager that weighs aggressive action against more nuanced interpersonal matters between two superheroes.
The simple application of history to the legend of Themyscira makes for a fun, little excursion into Diana’s childhood.
A surprisingly well-balanced final chapter written by Cecil Castellucci.
Tamaki’s pacing and plot structure are particularly good this time around.
Ram V places various elements into the frame with an architect’s eye for detail.
A fun action encounter on the beach.
Superman comes face to face with Synmar,
Obropta and Simonson's "Museum Madness" is a sharp, little prequel to Wonder Woman 1984.
Tamaki strikes a powerful balance between youth and malice with a compelling, new villain.
The Invisible Mafia plays their next card.
Pacheco finesses a lot of things in this issue that really have no business working as well as they do.
Castellucci is playing with subtly deeper darkness.
The Flash Family must pull itself together like never before and bring an end to Thawne’s maniacal run once and for all.
Selina returns to Gotham in a promising new direction for her series.
Something new, but familiar, rears its head.
Tamaki and company dive more in-depth into themes of truth and fabrication in a fast-moving action story.
With the 100-Page Giants on their way out, DC has a new plan to bring comics back to the newsstands.
Nearly everything that Tamaki is putting on the page is powerful and resonant