Tamaki’s pacing and plot structure are particularly good this time around.
All in DC Comics
Tamaki’s pacing and plot structure are particularly good this time around.
Ram V places various elements into the frame with an architect’s eye for detail.
A fun action encounter on the beach.
Superman comes face to face with Synmar,
Obropta and Simonson's "Museum Madness" is a sharp, little prequel to Wonder Woman 1984.
Tamaki strikes a powerful balance between youth and malice with a compelling, new villain.
The Invisible Mafia plays their next card.
Pacheco finesses a lot of things in this issue that really have no business working as well as they do.
Castellucci is playing with subtly deeper darkness.
The Flash Family must pull itself together like never before and bring an end to Thawne’s maniacal run once and for all.
Selina returns to Gotham in a promising new direction for her series.
Something new, but familiar, rears its head.
Tamaki and company dive more in-depth into themes of truth and fabrication in a fast-moving action story.
With the 100-Page Giants on their way out, DC has a new plan to bring comics back to the newsstands.
Nearly everything that Tamaki is putting on the page is powerful and resonant
Cecil Castellucci’s distinct take on Batgirl’s themes slides somewhat gracefully across the page.
The Superman Family ramps it up against the Invisible Mafia.
A clear and articulate adventure
So it is that a certain clown girl ends the run of her current series.
An enjoyable issue that peers a bit more into the psyche of Selina Kyle.