The overall premise for the series is interesting.
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The overall premise for the series is interesting.
A story that casts the title character in a fresh perspective
A thoroughly engaging transitional issue.
A sparklingly fun dive into darkness and heroism.
Jon deals with Batman’s revelation and unfinished business that could destroy the Hall of Justice.
Nubia feels relatively well-paced and well-executed.
On Earth, Thao-La reacts to something from beyond as Superman battles OMAC on Warworld with the revolution’s fate at stake and in the back-up, Martian Manhunter has a final showdown with Vulture.
The Justice League fights its first battle against Pariah and the Great Darkness.
A conclusion that feels remarkably fluid from beginning to end.
Harley Quinn #14 is a mixed bag; the story is solid… However, the disconnect between the art and story, and the stop-and-start pacing drag down what could've been a standout issue.
Jones' layouts are gorgeous.
It almost approaches a kind of genius in moments
Howard has firmly established a rapport with Catwoman.
Lex Luthor has a press conference about Superman as a natural disaster strikes.
The crisp wit of Conrad and Cloonan continues.
The two chapters pair well together under a single cover even.
Kelly Sue DeConnick crafts a clever stretch of heroic legend.
The three stories have enough variation between them to make for a satisfying anthology.
Midnighter makes the most of his time on Warworld and in the back-up, Martian Manhunter confronts Vulture and his past.