Jon deals with Batman’s revelation and unfinished business that could destroy the Hall of Justice.
All in DC Comics
Jon deals with Batman’s revelation and unfinished business that could destroy the Hall of Justice.
Nubia feels relatively well-paced and well-executed.
On Earth, Thao-La reacts to something from beyond as Superman battles OMAC on Warworld with the revolution’s fate at stake and in the back-up, Martian Manhunter has a final showdown with Vulture.
The Justice League fights its first battle against Pariah and the Great Darkness.
A conclusion that feels remarkably fluid from beginning to end.
Harley Quinn #14 is a mixed bag; the story is solid… However, the disconnect between the art and story, and the stop-and-start pacing drag down what could've been a standout issue.
Jones' layouts are gorgeous.
It almost approaches a kind of genius in moments
Howard has firmly established a rapport with Catwoman.
Lex Luthor has a press conference about Superman as a natural disaster strikes.
The crisp wit of Conrad and Cloonan continues.
The two chapters pair well together under a single cover even.
Kelly Sue DeConnick crafts a clever stretch of heroic legend.
The three stories have enough variation between them to make for a satisfying anthology.
Midnighter makes the most of his time on Warworld and in the back-up, Martian Manhunter confronts Vulture and his past.
Jones’ distinctively atmospheric art makes its mark on Themyscira.
The Justice League and the Justice League Dark have their final showdown with Xanadoth.
Diana is seen at two deeply contrasting stages in her life.
There's a moody nuance to it all.