So it is that a certain clown girl ends the run of her current series.
All tagged Sam Humphries
So it is that a certain clown girl ends the run of her current series.
This issue manages to navigate Quinn's significant psychological territory in a reasonably satisfying way.
Everything finally begins to unravel for Harley in a way that begins to feel remarkably satisfying by the issue’s end.
What Humphries is attempting here IS interesting.
A respectable stylishness that fails to add any charm to the story.
A jarring departure from the high weirdness that cartwheeled through the title in the second half of 2019.
Even a lesser issue of Dial H for HERO, as #10 is, is still delightfully ridiculous.
It’s fun, but it lacks the edgy depth that Humphries and Basri have lent to the series this past year.
Even a weak issue of Dial H for HERO is more inventive and more clever than quite a bit of what’s on the stands.
In a special Thanksgiving issue, Booster Gold teaches Harley the true meaning of Crossover.
Dial H for HERO #8 is an excellent comic. It has heart, it digs deep into character, and it plays with the form in an exciting way. What more could you want?
Thanks to clever oddness from Huphries and Basri, it’s still quite a bit of fun.
Dial H for HERO #7, while largely unnecessary, is still fun because of the work of the four fill-in artists.
A very appealing issue that challenges Quinn's sanity at a moment of great triumph in the shadow of significant loss.
Dial H for HERO remains one of the most consistently entertaining titles DC has on the stands today.
Fuses interpersonal drama with lighthearted fourth wall shattering multi-genre spoofery.
Dial H for HERO continues to be a hidden gem of DC Comics’ current lineup, and possibly the most heartfelt of the uniformly fun Wonder Comics line. Highly recommended.
Heavy moments between Harley and her mother are balanced against the comedy of Harley and Death.
Joe Quinones’ art is a tour-de-force in Dial H for HERO #4.
A fun and breezy head trip of a story.