Barbiere seems very patient in executing the opening chapter.
All in Fantasy
Barbiere seems very patient in executing the opening chapter.
Papose’s script concludes with a sense of urgency.
Brothers forges a narrative with fiery conflict burning deep in its heart.
Johns has a really sharp and clever idea for a cience fiction action setting.
Margaret’s emotional state is cleverly rendered for the page by Miracolo.
Overall, action is well-orchestrated on the page.
Remender is telling a story with a very familiar form to it.
Marquez shifts things around an interesting ways.
Allen works her way through a very interesting couple of encounters.
Craig allows his art to do much of the storytelling.
More fun than it has any right to be.
There’s a hell of a lot of backstory to layer in around the edges.
Laufman is doing such a good job of bringing the cartoons of the violence to the page.
Weisman moves the narrative along very quickly.
Thompson continues to make her so appallingly relentless.
Cafaro renders the action of the series with a sense of urgency.
Young knows exactly how much space he needs to tell this particular joke.
Thompson expands the mythology of the Absolute with a high-gravity adventure.
Strukan’s overall layout is quite good.
So much of The Power Fantasy could be done as a stage play.