The writing team focuses on the street-level aspects of the supernatural.
All in Horror
The writing team focuses on the street-level aspects of the supernatural.
Lemire tackles the drama with a solid sense of mystery.
Liu’s work is deep and resonant.
Starks gives Gabby and Trudy a suitably enjoyable end.
Prince has a poetic sense of darkness.
Mignola and Roberson handle the story in a straight-ahead fashion.
Tynion has a way of twisting cliche until it confesses some kind of strange truth.
Segovia shows some talent for pushing around the demonic muscle.
Pires and White have a clear and definite idea of where they’re going with the story,
Soule walks a fine line.
There’s just enough tone and mood to the visuals to keep the pages turning.
Avallone playfully pushes Elvira through a couple of scenes.
Monomyth is solidly entertaining.
Cantwell has a gift for dynamic, punchy dialogue.
It’s really cool to see Mackie getting back in touch with his version of the character.
Everything fits together remarkably well.
Lore has everything really well lined-up,
Schultz is clearly having a lot of fun.
Madness of psychological horror with the magic of supernatural horror.
Narratively, it’s a bit of a weird fusion.