Howard is having a delightful time nestling between dichotomy.
All in Drama
Howard is having a delightful time nestling between dichotomy.
Ferreyra matches the heroism in Campbell’s story with powerful visuals.
Ayala and Draper-Ivey have rather meticulously led the hero.
A fusion of a mutation of a few other characters.
It never really gets into the deeper implications.
Doesn’t really get particularly interesting until Nathan and Marshall sit down to make a decision.
A very earthbound sense of life-or-death survival.
There’s a definite power to all of the talk of death and renewal.
There’s a primal, sweeping sense of action.
Burnett knows how to frame a heroic adventure.
Just over half of the issue is an interrogation in Purgatory.
Bendis’s dialogue isn’t poetically brutal so much as it is...terse.
Something a lot darker than your standard Disney movie.
The action smears itself across the page like a thick mucus.
Simonson deftly captures the rhythm and style of late 1960s’ Kirby and Lee.
Wilson’s dialogue is as crisp as ever.
Mignola and Roberson do a very clever job of establishing the story's place in history.
The drama-heavy issue is filled with lots of moody, atmospheric silences.
The whole thing feels remarkably engaging.
The casual brutality at the end of the issue is a bit intense.