Venditti and McKinney pound the story into the page with a clever poetry.
All in Drama
Venditti and McKinney pound the story into the page with a clever poetry.
Williamson has a classy sense of language.
Bayliss and Monti keep the emotional end of the conflict solidly grounded.
Waid’s narrative is subtly trippy on a number of different levels.
Weisman cleanly opens a primal and well-defined conflict of simple elements.
Jurgens has constructed a solid ending.
Andolfo and Blengino move the action around with a deft hand.
As a writer, Kubert knows her own strengths as an artist.
It’s a simple and primal idea.
A Culver-written Zatanna series would be great fun.
Directionless energy allows Culver to explore the skewed psyches of his characters,
Kudranski’s attempts at the profound only occasionally brush against something other than cliche.
There’s scarcely a subplot in sight.
Layman rides a pretty fine line between lighthearted situation comedy and something altogether darker.
It’s not a mindless action story.
Cady takes his time slowly advancing into the site.
Clark and Higgins allow the story to slowly fade in around the edges.
It’s really just one conversation.
Things seem to shift quite a bit in the first half of the first issue.
He’s a monster, but Lemire cleverly engenders sympathy for him.